
The Story
Features
High Pass Frequency
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
High Drive
Sets the amount of distortion for the high pass side.
High Level
Sets the output volume of the distorted high-pass signal.
Low Pass Frequency
Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
Low Comp
Sets the amount of compression for the low-pass signal.
Low Level
Sets the output volume of the low-pass signal.
Master
Sets the overall volume of the unit.
Low shelf
+-12dB @ 80 Hz
500 Hz
+-12dB
1 kHz
+-12dB
High shelf
+-12dB @ 5 kHz
Parallel Output
A passthrough for your input signal, useful for parallel processing.
Direct Output
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
*Does Not Include Power Supply

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Features
High Pass Frequency
Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.
High Drive
Sets the amount of distortion for the high pass side.
High Level
Sets the output volume of the distorted high-pass signal.
Low Pass Frequency
Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.
Low Comp
Sets the amount of compression for the low-pass signal.
Low Level
Sets the output volume of the low-pass signal.
Master
Sets the overall volume of the unit.
Low shelf
+-12dB @ 80 Hz
500 Hz
+-12dB
1 kHz
+-12dB
High shelf
+-12dB @ 5 kHz
Parallel Output
A passthrough for your input signal, useful for parallel processing.
Direct Output
A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.
*Does Not Include Power Supply


















